The film stars Tim Henry as Billie Joyce, a gay and transvestite former musician who has been institutionalized in an asylum due to mental illness. Inheriting the smalltown hotel formerly owned by his deceased father, he returns home intending to sell the hotel to real estate developer Oscar Kidd (Robert A. Silverman), but soon finds himself in the position of defending the rights of the hotel's staff against Kidd's renovation plans.

“Please agree to terms and conditions to be a part of the Community,” says the Big Data crystal ball as it bathes you in positive affirmations and hyper-personalized ads, “All for your own benefit, of course.” You are a never-ending energy source. Feel your body becoming heavy and relaxed, and just say, “Yes!"An experimental film about current technology seducing us to sacrifice our privacy, in hope of an optimized life.

Rooms is a 1974–77 British afternoon soap created by John Finch and produced by Thames Television for ITV. Each story is two parts, concerning the various drifters who rent rooms in a lodging-house at 35 Mafeking Terrace.

A schizophrenic who's been in remission suddenly gets triggered by an occurrence of sexual abuse the night before. We follow his morning after as he descends deeper into the psychosis.

A multiple murder investigation in a small hunting town focuses on one suspect, Wendy Sinclair, who operates a battered women's shelter where each of the victims' wives have sought shelter.

Four top dealers, each with their own private room, compete to buy objects brought in by sellers, with an emphasis on the macabre and the bizarre. If the seller turns down one offer, they are not permitted to return to that room.

In darkest corners of the darknet, there are places where victims are held captive, psychologically tortured, live-streamed, then given a chance to escape if they confess their worst sins, preserving them online for eternity in Red Rooms.

Violeta returns to Spain to supervise the works that have to turn the family mansion into a museum. The appearance of a mummified body in a room reveals a secret from the past.

Dutch filmmaker Willy Lindwer and Russian author David Gurevich document the aftermath of the June 1, 2001 suicide bombing of Tel Aviv's Dolphinarium Disco, which killed 21 and wounded 105, many of them teenagers and many recent immigrants from post-Soviet Union states. The bulk of the film consists of the interviews with survivors and the victims' parents, all shot around the Tel Aviv area, including the location outside the Dolphinarium proper. It also makes extensive use of the footage of the night of the disaster and the home videos left behind by the victims.

Tom and Emily are survivors of a viral pandemic that swept the globe, gifted with immunity. They haven't encountered anyone else in a long, long time. Emily is struggling to find a reason to keep going. Tom isn't ready to give up just yet. Together, they set out on a journey into the city of Manchester, England, looking for supplies - and perhaps a hope for the future.